Blog Video: OK, so I had to do the 24p advanced mode since I went ahead and did standard. I duped the standard comp and swapped a few things out and used Pedr Norby’s most excellent plug-in, Shine along with After Effects.

Blog Video: I remember when I first read about 24p video three years ago and seeing a lot of diagrams that explained the cadence, or pull down pattern associated with it. I guess after seeing these, I wanted to crack open After Effects and do an animated diagram explaining the process.

Blog Video: Jean-Paul Bonjour discusses what he’s learned from working with 24p and how it has influenced how he produces his and friend’s films.

Blog Video: Anthony Lucero is an effects editor in the Bay Area. He has edited visual effects shots for filmmakers such as George Lucas, Tim Burton, and Robert Rodriguez. He also also written, directed, or edited short films using the Sony Cine Alta FW-900 (HDCam), Panasonic Varicam (DVCPro100) and the Sony FX-1 (HDV).

Blog Video: Eric Escobar, a 24p filmmaker who has been accepted at Sundance twice, discusses why an independent filmmaker producing short films should consider a film out for submission to film festivals. He discusses how films get shown at festivals, the acceptance process and why shooting on 24p and fininishing on film is an advantage.